A dear friend wanted a scarf this winter, and while it may have taken a couple of tries I finally found something that worked and that I thought she’d like. I had several failures along the way, which subsequently led to some beautiful scarves, but not ones that were meant for her. This one finally fit the person…
This scarf is actually quite similar to the very first scarf I wove on my own. It uses the same tie-up, and the same sort of “gradient” effect. But I worked in the reflective threads I find myself using more and more often, and changed up the color scheme and the thread density.
It uses an overshot tie-up pattern. This means that the direct pattern has areas of long floats, weft threads that hang over a lot of warp threads. Normally, that could cause problems with the stability of the weave, or be a potential for “caught” threads that snag and pull. However, with overshot patterns you alternate each pick of the pattern with tabby (the classic over-under basic weave.) This adds stability and density to the cloth, making more complex patterns possible with only four shafts.
The lavender fields scarf is also an overshot pattern. I’m becoming quite fond of this style. I think because I like the almost “picturesque” complex patterns that can draw larger shapes and designs. This particular tencel yarn needed to be set at 30 epi (30 threads per an inch) which was one of the the tightest setts I’ve had to do yet. But it really made a beautifully smooth and drapey scarf.
This scarf uses overshot to silhouette dark stars on a silver background, interspersed with light reflective threads that sparkle and shine like stars in the sky.